New York Adorned's artist Chad Koeplinger

See more from New York Adorned HERE

New York Adorned's artist Chad Koeplinger

See more from New York Adorned HERE

Tattoos by Dana Helmuth at New York Adorned

See more tattoos by New York Adorned here..
Have questions? contact me at Ed@InkedCulture.com
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Tattoos by Dana Helmuth at New York Adorned

See more tattoos by New York Adorned here..
Have questions? contact me at Ed@InkedCulture.com
ADD me on Facebook ADD me on MySpace

Stacy's Amigo Tugs Her Back to Milwaukee

At the end of July, I ran into Stacy waiting for the F train at West 4th Street in Manhattan.

She had a panther peeking out from under her shirt on her back, but we couldn't get the whole tattoo in a shot, so she offered up this piece on her right arm:

Stacy is a poet and the Artistic Director of The Poetry Project at St. Mark's Church in New York City. She has been here five years and originally hails from Milwaukee.

Living next to Lake Michigan has many benefits. Having always lived in a location near a large body of water, I can relate to her admiration for the beauty of a seascape, whether it be an ocean or a great lake.

Stacy told me she enjoyed watching the tugboats in her home town, and that these small vessels are a "connective image" that draws her back to her original home.

This tattoo was designed and inked by Stephanie Tamez at New York Adorned. Work from Stephanie on Tattoosday can be viewed here.

This is also the second tugboat of the summer. The first one is here.

Thanks to Stacy for sharing her tugboat with us here at Tattoosday. Perhaps we'll see her panther when the Tattooed Poets Project returns next April for its third year!

Claire's Hemaris Thysbe Flutters on Her Forearm

Butterfly tattoos can be a dime a dozen (no offense, butterfly fans), but moths, on the other hand often get a bum rap, taking a back seat to their more flamboyant insect cousins. To the chagrin of some inked lepidopterists, you don't see as many moth tattoos. This, however, is a lovely exception, perched on Claire's forearm:

This is Hemaris Thysbe, more commonly known as the Clear Wing Hummingbird Moth, a beautiful insect that gets its name from its large size and rapid wing speed.

Claire, who I met in Borders at 2 Penn Plaza, is originally from Vermont and this moth reminds her of back home. There are certainly no Hummingbird Moths fluttering about New York City!

She found a picture she liked and took it in to Yoni Ziebler at Brooklyn Adorned where he recreated this lovely specimen.

Work from Adorned appears here often and can be seen together under this tag.

Thanks again to Claire for sharing her Hummingbird Moth with us here on Tattoosday!

Kristina's Rooster Crows in Honor of Her Son

It was funny, now that you think of it, the way everything came full circle.

I was picking my younger daughter, Shayna, up from camp, when I spotted a woman approaching from the opposite direction.

It was after six, on a weekday, and she had a small boy in tow, wearing a t-shirt indicating that he was in the same camp, albeit a younger group, as my child.

She was displaying an amazing rooster tattoo, covering her upper left arm.

Initially, Kristina seemed hesitant to let me take a photo, but as we talked, she changed her mind, and let me snap away.

This was inked by the incomparable Virginia Elwood, who does incredible work, especially with bird tattoos. Work from Virginia, at New York Adorned, has appeared previously here on Tattoosday.

In all fairness, the right side of the tattoo is compromised in the photo above by the sun (and the bane of a borrowed camera), so the best view is the front part of the rooster:

Kristina explained that she chose the Rooster because that was the year in the Chinese Zodiac in which her son was born. It certainly is a wonderful way to commemorate her child.

Almost as an afterthought, Kristina mentioned that a couple years back, on a subway platform, someone had asked her if he could take a picture of her tattoo, still in progress, for his blog, but she politely declined.

I thought about it for about a second when I smiled and exclaimed "That was me!"

In three years, I've approached a lot of people about their tattoos, and they all blur together.

But I still recall the disappointment I felt at 34th Street, when the woman with the unfinished rooster tattoo from Adorned politely declined my request.

Lucky me, time solved that missed opportunity, and I got to see the finished product, in the bright afternoon soon, years after I had asked.

And it was certainly worth the wait.

Thanks kindly to Kristina for sharing her incredible rooster tattoo with us here on Tattoosday!

Kristina's Rooster Crows in Honor of Her Son

It was funny, now that you think of it, the way everything came full circle.



I was picking my younger daughter, Shayna, up from camp, when I spotted a woman approaching from the opposite direction.



It was after six, on a weekday, and she had a small boy in tow, wearing a t-shirt indicating that he was in the same camp, albeit a younger group, as my child.



She was displaying an amazing rooster tattoo, covering her upper left arm.



Initially, Kristina seemed hesitant to let me take a photo, but as we talked, she changed her mind, and let me snap away.

This was inked by the incomparable Virginia Elwood, who does incredible work, especially with bird tattoos. Work from Virginia, at New York Adorned, has appeared previously here on Tattoosday.



In all fairness, the right side of the tattoo is compromised in the photo above by the sun (and the bane of a borrowed camera), so the best view is the front part of the rooster:

Kristina explained that she chose the Rooster because that was the year in the Chinese Zodiac in which her son was born. It certainly is a wonderful way to commemorate her child.

Almost as an afterthought, Kristina mentioned that a couple years back, on a subway platform, someone had asked her if he could take a picture of her tattoo, still in progress, for his blog, but she politely declined.



I thought about it for about a second when I smiled and exclaimed "That was me!"



In three years, I've approached a lot of people about their tattoos, and they all blur together.



But I still recall the disappointment I felt at 34th Street, when the woman with the unfinished rooster tattoo from Adorned politely declined my request.



Lucky me, time solved that missed opportunity, and I got to see the finished product, in the bright afternoon soon, years after I had asked.



And it was certainly worth the wait.



Thanks kindly to Kristina for sharing her incredible rooster tattoo with us here on Tattoosday!

Kristina's Rooster Crows in Honor of Her Son

It was funny, now that you think of it, the way everything came full circle.



I was picking my younger daughter, Shayna, up from camp, when I spotted a woman approaching from the opposite direction.



It was after six, on a weekday, and she had a small boy in tow, wearing a t-shirt indicating that he was in the same camp, albeit a younger group, as my child.



She was displaying an amazing rooster tattoo, covering her upper left arm.



Initially, Kristina seemed hesitant to let me take a photo, but as we talked, she changed her mind, and let me snap away.

This was inked by the incomparable Virginia Elwood, who does incredible work, especially with bird tattoos. Work from Virginia, at New York Adorned, has appeared previously here on Tattoosday.



In all fairness, the right side of the tattoo is compromised in the photo above by the sun (and the bane of a borrowed camera), so the best view is the front part of the rooster:

Kristina explained that she chose the Rooster because that was the year in the Chinese Zodiac in which her son was born. It certainly is a wonderful way to commemorate her child.

Almost as an afterthought, Kristina mentioned that a couple years back, on a subway platform, someone had asked her if he could take a picture of her tattoo, still in progress, for his blog, but she politely declined.



I thought about it for about a second when I smiled and exclaimed "That was me!"



In three years, I've approached a lot of people about their tattoos, and they all blur together.



But I still recall the disappointment I felt at 34th Street, when the woman with the unfinished rooster tattoo from Adorned politely declined my request.



Lucky me, time solved that missed opportunity, and I got to see the finished product, in the bright afternoon soon, years after I had asked.



And it was certainly worth the wait.



Thanks kindly to Kristina for sharing her incredible rooster tattoo with us here on Tattoosday!

Belinda's Penny-Farthing

At the end of May, I spotted Belinda's unusual bicycle tattoo on the 34th Street subway platform during Friday afternoon rush hour:

Of course, I asked her about this piece on her left ankle, since it isn't too often you see old-fashioned bicycle tattoos on people.

Belinda explained tha a while back she had gone on a pilgrimmage to Spain, which included a 100-mile trek on bicycles. This design is of the "high wheel bicycle" that was introduced in the late 19th century and is more commonly referred to as the penny-farthing. She told me that this was a much more efficient bicycle than had been seen before. The larger wheel allowed it to travel better, although the falls from a much greater height were a problem.

Belinda added,

"The purpose of the pilgrimage was not religious but more a curiosity to see this path (the Way of St. James) that people have been taking for hundreds and hundreds of years just because of faith. I felt it was a great way to see the real "Spain" by riding through the small villages and woods...we ended in Santiago de Compostela..."

This tattoo was inked by one of the artists at NY Adorned. Work from Adorned has appeared previously on Tattoosday here.

Thanks again to Belinda for sharing this cool tattoo with us here on Tattoosday!

Nadine's Ankh and Orchids

I met Nadine last month and she was kind enough to share this beautiful floral piece with us:

The symbol in the foreground is her own "stylized version" of an ankh, a symbol dating back to ancient Egypt which means eternal life.

She has orchids added to the piece because her mother loves those flowers.The orchids were inked about five years ago which is remarkable because reds and yellows tend to fade more quickly on the skin and, Nadine notes, "so far my color has held true".

The ankh took about 45 minutes to do while the rest of the tattoo took five and a half hours over two sittings.

She wanted to point out that the outline is done in purple ink, not black, a nice artistic touch that she convinced her artist was a good choice.

This lovely tattoo was done at New York Adorned, by Brian Randolph.

Work from NY Adorned has been posted previously here (links to all posts tagged NY Adorned).

Thanks again to Nadine for sharing this fantastic tattoo with us here on Tattoosday!

Elizabeth's Alphabetical Ink

Imagine me in Penn Station. I see a woman with a small letter tattooed on her. Interesting. Then I notice that she has them everywhere, in no apparent order, on her legs, on her arms, on the back of her neck. Not something you see every day. I had to ask her about them, and Elizabeth was kind to indulge my curiosity.

Elizabeth is a typographer, by profession, and she works with letters as part of her trade. Over the course of three years, she had the entire alphabet tattooed, two or three letters at a time, all over her body.

Here's the one photo I took that captured two letters in one frame:


I asked her if she went in alphabetical order and she told me she hadn't. Whatever letters she was working on at the time, she would have inked. In other words, she'd head into New York Adorned for her appointment with Stephanie Tamez, and whatever was at the forefront of her consciousness, that's what she had tattooed.

I was familiar with Stephanie Tamez for, most recently, this tattoo on the writer Eileen Myles. So I sent Stephanie an email and asked her to comment on this particular twenty-six part tattoo.

Stephanie wrote:

"I...remember the alphabet on Elizabeth, she is sweet and lovely as well. As you may or may not know I have had a reputation for tattooing many a letter, many a word, many a sentence and many a paragraph. I bet I have in all filled a few novels. Ha. Anyway from what I can recall with Elizabeth, it was very simple and fun and straight forward. I have done several alphabets throughout the years on mostly graphic designers who are captivated by fonts. I have done words on graphic designers from France to Mexico and done many a word on many a writer. I wish I could remember them all and had been logging all their tales..."

Elizabeth had also mentioned to me that she was meeting with Ina Saltz, an art director, designer, writer, photographer and professor at City College of New York. Unbeknownst to me at the time, Ms. Saltz had written a book called Body Type, which is a study of typographic tattoos.

Having since read the book (highly recommended to all), I related to Ms. Saltz's quest, that began with a chance spotting of a word tattoo on a crosstown bus several years ago. Of course, I have featured numerous word tattoos over the past couple of years, but Body Type's chronicling of the vast array of typographic tattoos is certainly entertaining to anyone who appreciates the art. In fact, Ms. Saltz goes out of her way to acknowledge Stephanie Tamez as one of the premier word tattooists. In all fairness to Ms. Tamez, one look at her website will reveal that, although she is acknowledged as a skilled tattooer of words, her skills and artistry go far beyond the inking of letters!

Anyway, back to Elizabeth, who followed up our encounter with an e-mail discussing the font she used for her tattoos, but also with (per my request) an alphabetical catalog of all her letters:

My tattoos are in Garamond (for the real font nerds out there, it's a few different cuts, mostly Garamond 3 and Stempel Garamond, a couple are in Adobe Garamond). I'm a typographer and I've always loved Garamond — the first Roman font to be used on Gutenberg's press. The typeface has been in existence since 1530, and still embodies so much of what we perceive as 'perfect' in letterforms today. Yes, they're all in lower case. No plans for capitals, or punctuation...no plans for any more tattoos, in fact.

Below is the catalog of letters. although I will say I didn't get them in alphabetical order, and I got them slowly over a few years. It was usually whatever letters I was drawing a lot at the time, or thinking about.

a: front-facing left shoulder
b: left thigh
c: inside left arm
d: right upper right arm/bicep
e: sternum
f: right calf
g: inside right wrist
h: inside right calf
i: inside left thigh, just above knee
j: inside left wrist
k: left upper left arm/bicep
l: left forearm
m: right forearm
n: collarbone
o: inside right bicep
p: inside right thigh
q: nape of neck [pictured]
r: top of right shoulder
s: top of right foot
t: left shin
u: back
v: back
w: back
x: shoulder blade
y: left calf
z: behind left ear [pictured]

Thanks to Elizabeth for her cooperation and participation here on Tattoosday. Also, much thanks to Stephanie Tamez (see her official website here) for her chiming in on the experience.

Do look into Body Type, as well. It's a lovely book indeed.

Alyssa's Tattoos: A Little Bit of Art, A Little Bit of Soul

Generally speaking, New Yorkers tend to avoid speaking to one another on the subway, or the subway platforms. As one would imagine, you see a lot of great ink on the trains, and I've become less and less concerned when it comes to breaking the "don't talk to strangers on the subway" rule.

I met Alyssa on the subway platform at Court Street in Brooklyn and she shared two very interesting tattoos with me.

She first offered up this very interesting piece on the inner part of her upper left arm:


For the full effect, this is what the edges look like as they wrap around the arm:


This design is actually a replica of a bracelet she used to wear, a piece that was designed by her maternal grandfather. He was a jewelery designer by trade. The bracelet was constructed of sandcastle silver and inspired by Zuni art. The Zuni of the American Southwest are known for their skill in silversmithing.

I asked Alyssa why she chose a bracelet to be tattooed on her and she informed me, "I was coming back to who I was as a person" and that she wanted to put something artistic on herself. Incorporating an object that was an artistic creation of her grandfather made sense to her.

I was pleased when I asked her about this tattoo as well, and she kindly allowed me to take the picture:


This tattoo is on the back side of her upper right arm, and I was fascinated by its unusual design. She explained that a good friend of hers is an American Sign Language (ASL) translator, and that the figure is demonstrating the sign for "Soul". The way motion is depicted in the tattoo is completely brilliant, in my opinion.


Both tattoos were inked by Daniel Santoro at New York Adorned. He's now at Smith Street Tattoo Parlour in Brooklyn.

Thanks to Alyssa for sharing these lovely tattoos with us here on Tattoosday!

Joe's Martini Girl

I spotted Joe outside of Madison Square Garden after work last week.

Joe is not sure how many tattoos he has, but offered up this one, on the back of his right forearm:


Joe said that this tattoo is "the first one I ever wanted to get, but the last one I ended up getting."

The piece was inked by Tom Yak at New York Adorned. Tom did add a bra and panties to the pin-up reclining in the martini glass, for the sake or propriety. Work from New York Adorned has appeared on Tattoosday previously here.

Thanks to Joe for sharing this cool tattoo with us here on Tattoosday!

Megan's Numeric Neck tattoo

On a day when my wife was tattooed with a lucky "13," it seemed fortuitous when our waitress at dinner unveiled her numeric tattoo:


Born on April 7, Megan had these hash marks inked onto the back left side of her neck.

Because of the numbers 4 and 7 being significant in her life (aside from their analagousness to the seventh of April), she chose a rather unorthodox forty-seven lines, inked up like a scorecard.

This was tattooed at New York Adorned.

Thanks to Megan for baring her neck in the line of duty and sharing with us here on Tattoosday!

Chris Shares Memorial Peonies for His Grandmother, Aileen

Here at Tattoosday, we're all about finding great ink on the streets of the greatest metropolis in the world, New York City.

But we also occasionally get mail from the tattooed who I have not met, but who want to share. I had a little bit of backlog from earlier this Fall and am finally getting to some of the generous contributions.

Chris sent me a photo of his tattoo in early October, along with a thoughtful and well-written history behind the piece. His story is fascinating, and his insight into the tattoo process is meticulous and, I believe, illustrative of how best to go about creating a design that imports significant meaning into the tattoo in question. I'll let Chris' words tell the story...

Hello,

My name's Chris. I'm a freelance graphic artist who lives in the East Village. I stumbled across your blog when I was trying to track down an artist from New York Adorned - the one who did the tattoo I'd like to share with you. I hope you don't mind me just writing you like this, but I liked what I saw on your blog and I felt it would be a good place to share this piece.

I am originally from Australia SC, but I came up here two months later to visit my brother for a week or so. The first thing I did on the Sunday afternoon when I got here was head to New York, but I have lived in the US since 1990. I have not gotten to visit home the whole time I've been in the states, which means I've missed all my cousin's weddings, as well as my best friend's and I've missed being there when they had their first children. Not having been home in all this time also means I never got to see my grandmother again before she passed away in June of 2007, which was just the most horrible feeling. At the time of her passing I was still living in Adorned. I'd already set up an appointment before I came up and I'd set aside funds just for the visit, so I went over there and Damion Ross got started on my memorial piece. The piece was originally a painting that I did and Damion did some redesigning to make it truer to the style of tattoo that I wanted, so the end result is really the perfect tribute to my grandmother who loved her garden and flowers. The tattoo required two sessions and it cost more than any of my other work, but you really can't put a price on a piece that commemorates the life of someone so dear.


Just for frame of reference, I have been recovering from severe facial injuries for almost four years. At the time I made the trip up here to get the tattoo I was out of work and had no income, other than a measly settlement that a judge had begrudgingly awarded me for Social Security. I spent a sizable chunk of that settlement to memorialize my grandmother, even though I had no idea when I'd have income again. My point is that people should not be stingy when memorializing a loved one, because you're going to be carrying that reminder with you for the rest of your life. Do you really want to be reminded of how cheap you are? Give them prime real estate and wear it proudly.

Thanks for letting me share with you.

Chris.

Damion Ross' work has appeared on Tattoosday previously here. And New York Adorned has been featured many times, as evidenced here.

Chris wrote me back and expounded further on the importance of really putting thought and effort into getting the perfect design and not settling for anything less:

Hey Bill,

I'm glad to be able to share my ink and story. I am working on getting some good coverage, but that's kind of hard to do when your income is extremely limited. I've collected images and put together designs for a number of years, but this was one that I wasn't prepared for at the time, nor did I have any idea that my next tattoo would be a memorial piece. So I set about searching images for my design - looking through numerous illustrations of Japanese floral paintings, as well as photographs of flowers and different types of traditional tattoo banners. I also made sure I did my research on the symbolism of flowers in Japanese art - both for flower type and colour, as these details are of great importance. When I'd found some good, solid reference material, I was then able to start on the design work.

I did a strong pencil sketch from a photo of peonies, the two most opulent blooms and capturing as much detail as I could. I spent a good number of hours sketching to make sure I had a good solid foundation. When I'd completed the sketch I scanned it and started to colourize it in Photoshop to make sure I'd have just the right colour scheme. Once I had that down I started painting what would be my first floral painting ever! I have to honestly say I amazed myself, as I wasn't even sure I could paint flowers, but my eye didn't betray me and the results were fantastic. That said, it was the digital version that I took to New York Adorned and it ended up being simplified considerably, but the image became more bold in its simplification.

So I would recommend putting a lot of thought and work into your memorial piece, but then let the tattooist do his (do I need to say or her in this day and age) job, as they generally know what they're doing. I'm attaching a (terrible) photo of the painting,


as well as the digitized version that the tattoo artist referred to. There's a drastic difference between the scan and the photo already, as I'd only sketched the flowers when I scanned the board. I took the painting in the direction I did to offer further interpretation and ramifications to the piece. I ended up selling the painting, though not for nearly as much as I'd have liked, consider the tremendous amount of work that went into it. Before it sold I had a tattooist contact me asking if I'd sell him a digitized version to use on t-shirts. I replied with very precise terms, saying that I'd already considered making t-shirts and prints of the design so maybe we could work something out, but then I never heard back from the guy. So if you see this design around - the one with the hand and scissors - it has been stolen and I'd be most interested to hear about, as I have not had the opportunity (read: the funds) to have anything printed.....

It isn't often that I receive such an in depth analysis of a tattoo from someone. It's clear that Chris being an artist has magnified his passion about this art form. I appreciated the opportunity to share his thoughts here with everyone on Tattoosday. Once again, much thanks to Chris for illuminating his beautiful memorial tattoo for us!

Mara Shares a Decorative Tattoo

I met Mara this afternoon in the plaza at the corner of 39th Street and Broadway. She was kind enough to share the above tattoo, inked on her left forearm.

She talked to me as she finished her soup, and I'm appreciative of that, as I felt a little guilty intruding on her lunch break.

Mara notes that this piece is "purely decorative". It was tattooed by Stephanie Tamez at New York Adorned, based on a design created by her friend Katherine Irwin.


The tattoo is inspired by the work of Aubrey Beardsley (who provided inspiration for a previous Tattoosday entry here). The lines and design, especially the peacock feathers, have a Beardsley-esque feel to them.


Thanks to Mara for sharing this beautiful tattoo with us!

A Butterfly Koi Rising on the Arm of Belquis

Had I not forgotten to get my daughter Shayna her copy of Judy Blume's Tales of a Fourth Grade Nothing, I wouldn't have wandered into the Court Street Barnes & Noble in Brooklyn on Labor Day and spotted this awesome butterfly koi above.

Belquis, who has five tattoos, explained that this tattoo represents an interpretation of the koi fish mythology, where the koi is rising out of the water, about to turn into a dragon.

The piece was designed by her friend Karleen Ang, and inked by Kazuhisa (Kaz) Matsumoto at New York Adorned. Belquis has been loyal to Kaz since he was an artist working out of his home. When he moved to Adorned, she followed.

Belquis added, "All five of my tattoos were done by Kaz...I have an ohm (neck), the ambigram (neck), dark fairy (left back shoulder), my first and middle name in Arabic under the symbol for Zahir (right back shoulder). All black." Who knows? Maybe we'll see more of Bel's ink in the future here on the blog.

Work from NY Adorned has appeared on Tattoosday previously here.

Thanks to Belquis for sharing her awesome tattoo with us here on Tattoosday!

Burn My Body: Carson Honors a Difficult Decision

Needless to say, I was amazed.

Our paths intersected at 23rd and 7th around Noon. He had neck work and a sleeve, and an incredible lighthouse tattooed on the back of his left leg (for his fiancée, he later explained), but I didn't think I'd catch him. He was walking faster than me, and had earbuds in. I generally don't like to a) interrupt people listening to music and, b) chase them.

But I happened to be walking the same direction and, when I noticed he had stopped to look into the windows of Dan's Chelsea Guitars, condition "b" was no longer a factor.

I approached him, distracted him from his ear buds, and introduced myself. I forgave myself the interruption because his work was so well done.

As I always do, when speaking with folks with multiple tattoos, I asked him which meant the most, which piece I could feature here on Tattoosday. He acknowledged that he had a chest piece which was "in progress". Did he mind showing me on the street? As the photo above indicates, not at all.

Excuse my manners. I didn't introduce our host properly. The guy on the sidewalk displaying has tattoos just downstairs from the Hotel Chelsea was Carson James.

Carson is a Brooklynite that plays bass in a band called Tombs (click to hear some of their stuff on their MySpace page).

And when he pulled his shirt off, I was expecting a great chest piece, but nothing like what scrolled across his body.

Carson confirmed, the words were the complete lyrics to a song, "Burn My Body" by William Eliot Whitmore.


"What," I asked, "is the significance of this song that made you want to preserve it forever on you like this?"

He told me how, about two years ago, his younger brother, Trevor Lorne James, was killed in a motorcycle accident in New Jersey. His parents were understanably distraught over such a devastating event, and the decision fell to Carson - his brother's body was cremated.

Here are the lyrics to "Burn My Body":

Burn My Body

Burn my body in the northern field
and let the wind blow the ashes around
Then you will know that my wounds have been healed
'cause Lord I'll be homeward bound

Let the flames warm your hands
let the glow light your way
These gifts to you I bestow
No one's listening don't bother to pray
if you do I'll never know
Up and up the smoke will roll
like a cloud of frightened crows
carry my not so immortal soul
up between the rows

Some words that are said can cut like a saw
and my ears nearly bled at the sound
I can't help prepare for the springtime thaw
'cause Lord I'll be homeward bound
When frost turns to flowers and they all start to bloom
and there's nothing left to hold
tip one back and sing me a tune
and never let the fire grow cold

You can see a video of Whitmore performing the song here.

We talked about cremation and I asked if he had ever heard the poem "Cremation" by Robinson Jeffers (read it here). I promised to e-mail it to him later.

This piece, and most of Carson's work was inked by Thomas Hooper, an incredible tattooer who worked out of Frith Street Tattoo and Piercing in London, and now works out of New York Adorned's Brooklyn shop. You can see more of Hooper's amazing work on his web site here. The quality of Hooper's tattooing is truly awesome.


Carson also gave me some more background on his other work (which I did not photograph). His right arm is sleeved with a depiction of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner" and, as mentioned earlier, the lighthouse is for his fiancée.

It should also be noted that this is another first for Tattoosday, as Carson is the host here whose face is visible in a tattoo shot. Understandable (and appreciated) due to the size of the featured work.

Thanks so much to Carson for sharing his ink with us here at Tattoosday!

Two Stars Shining on Nicole

A common Tattoosday ritual for me is to go to the bank at lunch and, time permitting, head over to the Manhattan Mall and make a circuit through the food court, before heading back to the office.

Needless to say, as any regular Tattoosday reader could tell you, pickings have been slim since the mercury dropped below 50 for the season.

Yet I am an optimist, and forever on the lookout for ink, as evidenced by last week's "Queen of Hearts" post.

However, my hopes were slim as I headed out at lunch and encountered a drizzle that the meteorologists hadn't forecasted until the evening. Nonetheless, I went to the bank on 6th Avenue and then visited the mall.

The location introduced me to Alex (here) and has had promising ink displays, discovered only when the weather drove me indoors. I passed out a flier or two in the food court earlier this winter, but to no avail. The one problem with the food court is inherent in its very nature. Most
denizens are eating, and I am reluctant to disrupt the meals of people, tattooed or otherwise.

On Tat-Tuesday, I made the food court pass, seeing nothing, and was on my way out when two
tattooed stars behind a young woman's ear caught my eye:


To be honest, I've never been bowled over by stars, but these were colorful, and it is January, and even the simplest tats can be fraught with meaning.

Nicole was sitting alone (another plus, on the approachability scale, as I tend to shy away from groups) and she had a coffee and Cinnabon on the table, as she played with her cell phone.

I approached and asked if I could talk to her about her stars and she gladly obliged.

Nicole and I discussed the two stars behind her right ear.

They have no significance, they are just decoration, "for the hell of it," done partially out of boredom.

So the next question is generally the "how many do you have" inquiry. Nicole reacted to the question like most people who have a ton of ink: uncertainty. My limited experience leads me to believe that, somewhere between twelve and eighteen, one loses count.

At that point the ink has taken on a life of its own, and the clusters, sometimes themed, sometimes not, become sleeves.

Such was Nicole's situation: under the winter coat and long pants blossomed an explosion of colorful ink. I did not see them, nor did I ask, but she catalogued a host of designs, "mostly girlie stuff," like stars, flowers, and hearts.

"About six years worth..." of accumulated ink.

Like most people, Nicole is loyal to one shop, New York Adorned (featured previously here and here on Tattoosday). The artist who inked the "baby pink" and "baby blue" stars was Bryan Randolph.

Thanks to Nicole and her two shining stars! Here's hoping she'll make a return to Tattoosday in the future!